The Poetic Manifestation of Mystical and Metaphysical Thought in the Works of Rumi and Nabāti

Mevlâna ve Nebati'nin Eserlerinde Mistik ve Metafizik Düşüncenin Şiirsel Tezahürü

Abstract

Rumi's years of activity coincided with the flourishing period of the socio-artistic scene of the Old East. The development of theology, natural and social sciences, culture, and art contributed to the growing prestige of Islam-related disciplines. Here, we aim to highlight aspects of Nabāti's poetry that reflect the legacy of his predecessor, Rumi, who lived 700 years before him. Nabāti was a poet who composed works in both classical Eastern poetry and folk art under pseudonyms such as "Majnun," "Majnunshah," and "Khanchobani." His preferred poetic genres included goshma, tajnis, ghazal, charpa, and bahri-tavil. The essence of the Masnavi form is love, through which a complete person attains knowledge and morality. This enlightenment ultimately leads to the eternal Light and the attainment of the great Creator. As Mawlana once said: "Love is not what you think, but what you sacrifice." This statement profoundly influenced Nabāti, inspiring him to explore various philosophical and mystical themes. Another notable quote from Rumi states: Yesterday I was clever and wanted to change the world. Today, I am wise, so I am changing myself." In his works, Nabāti provides insights into how this philosophy can be experienced and internalized in real life.

Keywords: Rumi, Nabāti, Wisdom, Mysticism, Love, Classical poetry