Vol. 1 No. 2 (2022): International Social Science and Art Studies

Articles

• A NEW LOOK AT THE INSTITUTION OF FAMILY IN THE PROCESS OF SOCIO-CULTURAL CHANGE IN TURKISH CINEMA AFTER 2000

  Zühal ÇETİN ÖZKAN, Özlem ÖZTÜRK BULUT

  149-169

  • pdf (Türkçe)

• THE EFFECT OF THE SCHEMA-BASED METHOD EMBEDDED IN A SOCIAL STORY ON THE SKILLS OF SOLVING CHANGE PROBLEMS IN STUDENTS WITH LEARNING DISABILITIES

  Gül KAHVECİ

  131-148

  • pdf (Türkçe)

• EXAMINATION OF VISUAL COMMUNICATION DESIGN DEPARTMENT STUDENT OPINIONS ON MUSEUM AND GALLERY EDUCATION

  Merve KARAMAN

  114-130

  • pdf (Türkçe)

• THE LIVING PLACES OF SUPERIOR HEROES: THE TRANSFORMATION OF BATMAN HOUSES

  Huriye GÜRDALLI, Süleyman ERDİVAN

  95-113

  • pdf (Türkçe)

• RELATIONSHIP BETWEEN MODERN SOCIETY AND VIOLENCE: SOCIOLOGICAL FILM ANALYSIS OF 71 FRAGMENTS OF A CHRONOLOGY OF CHANCE

  İzlem KANLI, Elvan ŞENKAYALAR

  73-94

  • pdf (Türkçe)

• THE IMPORTANCE OF CINEMA IN THE CONTEXT OF NATIONALISM: FILM REVIEW OF “THE FIRST OF THE FEW”

  Çağdaş ÖĞÜÇ, Fevzi KASAP, Ahmet GÜNEYLİ

  55-72

  • pdf (Türkçe)

• A NEW WOMEN’S MOVEMENT IN CINEMA AND TELEVISION; ARABESKİN AŞIK KADINLARI

  Şenay TANRIVERMİŞ

  46-54

  • pdf (Türkçe)

• THE CONSTRUCTION OF A STYLIZED UTOPIA: AFRO-FUTURISM IN AMERICAN SCI-FI CINEMA

  Ece EROL

  33-45

  • pdf (Türkçe)

• A STUDY ON TURKISH CYPRIOT WEDDING CULTURE, BRIDAL HAIR STYLISTS AND MAKE-UP ARTISTS

  Yeşim ÜSTÜN AKSOY, Dilan ÇİFTÇİ, Şevket ÖZNUR

  19-32

  • pdf (Türkçe)

• A DECEPTION OF POWER AND FREEDOM: THE FALLEN WOMEN OF PRE-CODE ERA

  Emrah Suat ONAT

  1-18

  • pdf (Türkçe)